The Literary Maiden

A compendium of obscure 19th century writing.

“Waiting” by Francis Ledwidge

Waiting
Francis Ledwidge
From The Complete Poems of Francis Ledwidge

A strange old woman on the wayside sate,
Looked far away and shook her head and sighed.
And when anon, close by, a rusty gate
Loud on the warm winds cried,
She lifted up her eyes and said, “You’re late.”
Then shook her head and sighed.

And evening found her thus, and night in state
Walked thro’ the starlight, and a heavy tide
Followed the yellow moon around her wait,
And morning walked in wide.
She lifted up her eyes and said, “You’re late.”
Then shook her head and sighed.

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“At the Verge of June” by Clinton Scollard

At the Verge of June
Clinton Scollard
From the Churchman, Vol. 83, June 8, 1901

The lustrous days are long,
The nights divine, and now
Break buoyant bursts of song
From every bough.

And down the lonely lanes
Where sun and shadow sleep,
Unrutted by the wains,
And verdured deep.

Amid her tangled bowers
June’s loveliest nursling shows,
Blush-lady of the flowers—
The wilding rose!

And if thou shouldst once breathe
Its attar dewy-bland,
No charm will that bequeath
From Samarcand.

Nay, nor those scented rains
Of bright Egyptian bloom
That deck the fallen fanes
Of old Fayum!

So, at the verge of June,
When all God’s wide world glows,
I crave but this one boon—
The wilding rose!

“The North Pirate and His Mistress” by Sir Oscar Oliphant

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The Damsel and Orlando by Benjamin West

The North Pirate and His Mistress
Sir Oscar Oliphant
From Collected Poems by Sir Oscar Oliphant

SHE.
Our galley, how madly she darts on her way!
Her bows and her bulwarks are streaming with spray;
Her lofty yards buckle, and bends the tall mast;
O save me, my love, from the strength of the blast!

O save me, my dearest! not such is the breeze,
That scarcely awakens a curl on the seas,
When rich with the perfumes of Araby’s sky,
The noon’s fiery pinions float languidly by.

I love the light breezes that blow from that strand,
They tell of the sweets of my own native land;
But my heart sinks within me, I shrink when comes forth
The keen bitter voice of the boisterous north.

HE.
Nay, tremble not, loved one, for steady, though strong,
Is the breeze that I hail, as it bears us along,
Its voice, as it sweeps o’er the moonlight-lit sea,
Is more dear than the gales of Arabia to me.

The air that hangs heavy and landing at noon,
In passionate gusts may awaken too soon;
And the sail that scarce swells to its breathing at morn,
May at eve, by its fury, be shattered and torn.

I love the proud tones of the shadowy north
When it takes o’er the billows its mighty march forth;
I bow to its presence, fit veil for the forms
Of the spirits that dwell in my island of storms.

“Spencer loquitur: Moi, J’ecoute en riant” by Alexander Robertson

This concludes Last Poems of Alexander Robertson. Please refer to my tag, “Alexander Robertson (War Poet)” in the drop-down menu found at the bottom of this page if you are interested in reading more of his work.

Spencer loquitur: Moi, J’ecoute en riant
Alexander Robertson
From Last Poems of Alexander Robertson, 1918

“Ah, Robertson, my hour is drawing nigh:
At this, as at all partings, let us sigh,
(As soldiers we can hardly drop a tear,
Unless assured that no one else is near!)
Whither go I? I know not nor can feel
Much interest in the question: ’tis your weal
I ponder o’er. Now listen—did they call?
No! my mistake: I thought I heard the bawl
Of rude commandment—hark to me, old boy:
My powers of reasoning I shall employ
To do you kindness. Regard me; I have been
For ten long years a soldier and between
Yourself and me (the French say, entre nous:
And, by the way for hairs they say cheveux,
Chevaux for horses, so you must beware
When you are thronéd in the barber’s chair)—
What was I saying? Ah, I was about
To tell a story that must not come out:
Long since I wearied of the life of camps
Though true, of course, to him who on our stamps
Proclaims his kingship. And I am most fain
Before I go—perchance to join the slain,
Alas!—to bid you when this war hath end
Break with a life which, as I must contend,
Is, as the Bard of Avon would have said,
‘Unprofitable, flat,’ and where the bread
Of life is spread not with the jam of—well,
I scarce know how to finish; can you tell,
Suggest a fitting finish to my ‘trope’?”
“What of ‘the Bard of Avon’? he, I hope
Might haply help us.” “Ah, but bless you, lad,
I spoke of Shakespeare! even in Petrograd
The guttersnipes can quote him;—the peasants too
Upon the farms that labour:—Surely you
Have not received,—but I must sure return
To my ‘large utterance,’ for still I burn
To aid:—ah, there’s indeed the shout
Imperious that we may never flout.
Farewell, adieu, adieu, farewell, and ah!
Be heedful of my—how they shout! Ta-ta!!”

In reference to the farewell advice of an uneducated but kind-hearted Sergeant who left the hospital before the author.

“To Margaret” by Alexander Robertson

To Margaret
Alexander Robertson
From Last Poems of Alexander Robertson, 1918

(On Receiving Her Photograph)

This photograph vignette
You send, to fend off harm
As might an amulet,
As might a potent charm,
Such as in days of old
To Knights by dames were given,—
As wood, in case of gold,
In which the nails were driven,
Which fixéd to the rood
The Son of Mary Queen,
The while, in thousands, stood
His foes to mock His tears;
Or blood of him, alas,
Whose head on charger laid
Rejoiced Herodias
Of slaughter unafraid;
Or bone of martyred saint
From his sword-piercéd side,
Or relics still more quaint
Faith thought not to deride.
Though some would fain believe,
Yet ages more mature
No more in charms perceive
A power to secure—
Yet love may fend off hate,
There may be might in prayer
And so you may create
A refuge for me—there.